Nov 26, 2002
by Jerome L. Sternstein
Much of the commentary about the latest plagiarism scandal involving Stephen Ambrose, and to a much lesser extent, Doris Kearns Goodwin, portray them as victims of their own success. As best-selling authors of popular narratives that appeal to a vast audience hungry for well-told stories about America's past, they inevitably succumbed to the temptations of the market place which, the commentators invariably remind us, rewards speed rather than reflection, flash rather than substance. Had they o