With support from the University of Richmond

History News Network

History News Network puts current events into historical perspective. Subscribe to our newsletter for new perspectives on the ways history continues to resonate in the present. Explore our archive of thousands of original op-eds and curated stories from around the web. Join us to learn more about the past, now.

Mark Kingwell: The Barbed Gift of Leisure

Mark Kingwell is a professor of philosophy at the University of Toronto. His most recent book is Unruly Voices: Essays on Democracy, Civility, and the Human Imagination (Biblioasis, 2012).

A magazine ad campaign running in my hometown quotes a youngster who wants to study computer science, he says, so he can "invent a robot that will make his bed for him." I admire the focus of this future genius. I, too, remember how the enforced daily reconstruction of my bed—an order destined only for destruction later that very day—somehow combined the worst aspects of futility, drudgery, and boredom that attended all household chores. By comparison, doing the dishes or raking the yard stood out as tasks that glimmered with teleological energy, activities that, if not exactly creative, at least smacked of purpose.

Disregarding for the moment whether an adult computer scientist will have the same attitude toward bed-making as his past, oppressed self, the dream of being freed from a chore, or any undesired task, by a constructed entity is of distinguished vintage. Robot-butlers or robot-maids—also robot-spouses and robot-lovers—have animated the pages of science fiction for more than a century. These visions extend the dream-logic of all technology, namely that it should make our lives easier and more fun. At the same time, the consequences of creating a robot working class have always had a dark side.

The basic problem is that the robot helper is also scary. Indeed, a primal fear of the constructed other reaches further back in literary and cultural memory than science fiction's heyday, encompassing the golem legend as much as Mary Shelley's modern Prometheus, Frankenstein, and his monster. At least since Karel Capek's 1920 play R.U.R.—the work that is believed to have introduced "robot" into English—the most common fear associated with the robotic worker has been political, namely that the mechanical or cloned proletariat, though once accepting of their untermenschlich status as labor-savers for us, enablers of our leisure, will revolt....

Read entire article at Chronicle of Higher Ed.