Originally published 07/09/2013
Noah Gittell is the editor of ReelChange.net, where he writes about film, politics, and culture. He is a former independent filmmaker and political-campaign staffer. ...In discussing the progressive politics of The Lone Ranger, most critics have focused on the depiction of Native Americans, and with good reason. Over the history of the American Western, Native Americans have often been depicted as faceless savages whose efforts to defend themselves were merely obstacles to America's Manifest Destiny. Some cinematic efforts have been made to subvert this convention (The Searchers and Dances with Wolves are probably the most famous examples), but The Lone Ranger takes things a step further, making Tonto and John Reid (who will become the eponymous hero) dual protagonists. There is room for debate on this; some critics still feel that Depp's performance, with its use of "red face" and halted speaking style, is dehumanizing, but the increased role for Tonto is at least a step in the right direction.
- Richard III Really Ate and Drank Like a King
- Where’s the one place in the world where nobody’s messed with WW II relics?
- Secrets of the Clinton Library
- Beloit College is out with its annual list of what freshman know ... Tiny Tim? Carl Sagan? Forget about it.
- India Bans Indira Gandhi Assassination Film
- A prominent historian of science dies and no one takes notice
- A pro-Hamas Left emerges among historians, complains Jeffrey Herf
- Classicist Mary Beard celebrated by the New Yorker as “The Troll Slayer”
- Ilan Pappé praised in Iran as a "prominent anti-Zionist Israeli historian and intellectual"
- It's hard to be an optimist today, but Juan Cole is