Originally published 03/26/2013
James Hughes is a Chicago-based writer and editor who has contributed to Slate, The Believer, Wax Poetics, and The Village Voice. For a decade, he was an editor and publisher of Stop Smiling magazine and its book imprint. In 1985, Stanley Kubrick was handed a book on the survival of jazz in Nazi-occupied Europe. A snapshot of a Luftwaffe officer casually posing among black, Gypsy, and Jewish musicians outside a Paris nightclub caught his eye. It looked like something out of Dr. Strangelove, he said. He'd long wanted to bring World War II to the screen, and perhaps this photograph offered a way in."Stanley's famous saying was that it was easier to fall in love than find a good story," says Tony Frewin, Kubrick's longtime assistant (and, for the purpose of disclosure, an editor-at-large at my former magazine, Stop Smiling). "He was limitlessly interested in anything to do with Nazis and desperately wanted to make a film on the subject."
- Supreme Court reveals that the docket books of many justices survive -- and are being made available
- Poll: Majority Of Americans Say Obama Is Mixed Race, Not Black
- New technology helps paleontologists see Ice-Age bee in intricate detail
- History textbooks in crosshairs of Australia's curriculum wars
- Archaeologists' findings may prove Rome a century older than thought
- She Came All the Way from Melbourne to Attend the OAH
- The 7 Most Popular HNN Videos from the 2014 OAH
- Jesse Lemisch’s up-from-below history is still strikingly original
- U.Va. Historian Alan Taylor Wins 2014 Pulitzer for Book on Slaves and War -- His second Pulitzer!
- UW Professor Stephanie Camp, 46, feminist historian, dies