In her exhibition “The Unknown Artist," curator Lucy Cotter probes the very values of attribution.
Professor of history Nathan Connolly visited the travelling exhibit "Undesign the Redline."
SOURCE: New York Times
Statues of so-called comfort women have long been an irritant to Japanese nationalists who dispute that the women were forced into servitude.
June 24, 2019
by Bryony White
Vital indigenous perspectives are highlighted in an exhibition of art and activism at the Oakland Museum, which spans the state’s colonial past to the present.
Kristen Highland is a PhD candidate in the English Department at New York University and a recent Botein Fellow at the American Antiquarian Society. Her dissertation explores the physical, social, and cultural spaces of antebellum New York City bookstores.
- The Quiet 2013 Lunch That Could Have Altered Supreme Court History
- It’s Not Anti-Catholic to Ask Amy Coney Barrett About Her Religious Group “People of Praise”
- The Incredible Influence of James A. Baker III
- ‘Schitt’s Creek’ Star, and His Fans, Are Taking Indigenous Studies
- Amy Coney Barrett and the Triumph of Phyllis Schlafly