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Movies, Documentaries and Museum Exhibits


This page features links to reviews of movies, documentaries and exhibits with a historical theme. Listings are in reverse chronological order. Descriptions are taken directly from the linked publication. If you have articles you think should be listed on the Pop Culture page, please send them to the editor editor@historynewsnetwork.org.

SOURCE: NYT (3-23-12)

SALT LAKE CITY — All museums are temples of sorts, monuments to collectors or cultures, declarations of identity, gathering places for tribute. But museums of natural history have an even more distinctive stature. Their focus is not human history, measured in centuries, but natural history, measured in eons. And their subject is not a particular culture and its accomplishments, but a world that seems to stand beyond culture altogether. Natural history museums seek their ground in the earth itself.

That is one reason that the Natural History Museum of Utah, which opened last fall in a new $102 million, 17-acre home in the foothills of the Wasatch Mountain Range, has such a powerful impact. Here, at Salt Lake City’s edge, above the geological shoreline of the ancient Lake Bonneville, the earth is vividly present: seen in nearby snow-covered mountains, in the winding hiking and biking path that runs past the museum, and...


Tuesday, March 27, 2012 - 17:28

SOURCE: NYT (3-26-12)

For nearly six decades a Cézanne watercolor depicting Paulin Paulet, a gardener on the artist’s family estate near Aix-en-Provence, was familiar to scholars only as a black-and-white photograph. No one knew if the actual work, a study for Cézanne’s celebrated “Card Players” paintings, still existed and, if it did, who owned it.

But the watercolor recently surfaced in the home of a Dallas collector and is now heading to auction at Christie’s in New York on May 1, officials at the company said on Monday. It is estimated to sell for $15 million to $20 million.

Cézanne’s images of workers on his family farm — pipe-smoking men sitting around a table, their expressions dour, their dress drab, absorbed in a game of cards — are among his most...


Tuesday, March 27, 2012 - 14:10

SOURCE: Star Tribune (3-26-12)

With the return of spring comes baseball. This year, though, fans can go beyond Target Field -- to the public library.

To coincide with the Minnesota Twins' home opener on April 9, the Hennepin County Library will host an exhibit and panel discussion at the Minneapolis Central Library.

The exhibit, "Baseball: America's Game," will feature a collection of works following the sport's history from its modest mid-19th century beginnings to the widely followed Major League Baseball of today. Photos, video and other memorabilia from George Brace's photos of baseball heroes to Jim Dow's triptychs of major league stadiums, the display traces the history of baseball....


Monday, March 26, 2012 - 19:35

SOURCE: NYT (3-23-12)

There was no question that “Mad Men” would get around to the civil rights movement. From the start, racism was the carbon monoxide of the show: a poison that couldn’t always be detected over the pungent scent of cigarettes, sexism, anti-Semitism, alcoholism, homophobia and adultery, but that sooner or later was bound to turn noxious....

...“Mad Men” returns to AMC for a fifth season on Sunday, and times have changed — again. African-Americans are now picketing on the street, chanting for fair employment and equal opportunity. It’s a tinderbox summer of riots and protests, and the reception from some who are working on Madison Avenue is less than supportive. Advertising may be a cool profession that draws talented, sophisticated people, but even some of them can be bigots. '

“Mad Men” distinguished itself by depicting not just the fashion of the 1960s but also the attitudes that are now so unfashionable. The show’s creator,...


Sunday, March 25, 2012 - 10:53

SOURCE: NYT (3-23-12)

AT first glance, an 1839 oil painting, “Catching Rabbits,” showing two boys with a dead rabbit and a wooden trap, does not seem to have a political message. Likewise, an 1835 canvas, “The Sportsman’s Last Visit,” depicting a young woman coquettishly listening to one man as she ignores another in the room, seems to have no agenda beyond an amusing look at a suitor spurned.

Both, however, are part of “Facing the Issues: William Sidney Mount and Current Events,” an exhibition at the Long Island Museum of American Art,...


Sunday, March 25, 2012 - 09:57

SOURCE: NYT (3-21-12)

McLEAN, Tex. — No one can remember if the brassiere factory on Kingsley Street here put up barbed wire to keep intruders out. These days, hundreds of strands of barbed wire draw people in.

The old factory building is now home to the Devil’s Rope Museum, a sprawling tribute to the history of barbed wire and fencing tools. It is a wayward cow’s worst nightmare: Bent-corner plate barb, double-plate locked link wire, Bagger’s 1876 barbed single-strand rod and — in the Rare Wire exhibit, protected from the public and overzealous collectors in a glass case — Dodge’s rotating star barb and fixed star on single strand from 1881.

In McLean, a town of about 800 east of Amarillo in the Texas Panhandle, the museum is a bona fide tourist attraction: Anita Seaney, the curator, said it had 6,000 visitors last year....


Wednesday, March 21, 2012 - 12:09

SOURCE: NYT (3-19-12)

PARIS — More than 70 years after ihttp://hnn.us/node/add/hnnt was plundered by the Nazis, a missing painting by Monet that depicts the shimmering blue rapids of the Creuse River has pitted two of the wealthiest and most prominent families in France against each other.

Ginette Heilbronn Moulin, 85, the chairwoman of the Galeries Lafayette department store chain, is pursuing a claim that the Wildenstein family, an international dynasty of French art dealers, is concealing information about the stolen work. The canvas, which belonged to the Heilbronn family, vanished in 1941 after a Gestapo raid on a family bank vault.

Last summer, after Ms. Moulin filed a criminal complaint against the Wildensteins, the French authorities ordered a preliminary investigation. An anti-art-trafficking squad is sifting through...


Wednesday, March 21, 2012 - 12:08

SOURCE: ()

AS is his habit, Matthew Weiner, the creator of “Mad Men,” is revealing few details about the fifth season of the hit series, which will return to AMC on Sunday after a 17-month absence. We don’t know if the charismatic sphinx Don Draper has married his secretary or pulled his flailing advertising firm out of the fire. But one prediction is a safe bet: Mr. Draper will dip his beak into an old-fashioned or three....

As visible as the cocktail has become, [its renewed popularity] doesn’t approach its glory days. “Its heyday was in the late 1800s, early 1900s,” Mr. Hess said. That’s also the period when the drink acquired the so-square-it’s-hip handle by which we now know it. For decades before that, it was simply called a whiskey cocktail. But when the whiz-bang bartenders of the post-Civil War days started getting too fancy with their add-ons, cocktail purists began calling for a...


Wednesday, March 21, 2012 - 11:55

SOURCE: WaPo (3-13-12)

Showtime has its Borgias and its Tudors, Starz has its Thracian slaves of the ancient Roman Republic, HBO its seven kingdoms of Westeros, AMC its zombies in Atlanta — and now History has its Vikings!

The network announced...


Friday, March 16, 2012 - 00:01

SOURCE: Slate (3-14-12)

Tanner Colby is an author. His forthcoming book, "Some of My Best Friends Are Black: The Strange Story of Integration in America," will be published in July. Visit him at his website or follow him on Twitter.

In everything from their pop-culture references to their meticulous production design, the creators of Mad Men are famously obsessive about the show’s historical accuracy. So it hardly seems possible they would be faithful in their use of period-appropriate underwear yet flub the entire history of race in advertising. In truth, the show is not only accurate in depicting the racial history of the industry, it is spot on in depicting that history as it relates to a place like Sterling Cooper, which is fundamental to the basic premise of the show....


Thursday, March 15, 2012 - 12:40

SOURCE: Irish Times (3-5-12)

RESIGNATION CAN have its drawbacks.

Take Pope Celestine V, the hermit from the Abruzzi mountains who reigned as pope for all of five months, from July to December 1294.

Celestine got the nod at the age of 80 when four cardinals and two notaries were sent to tell him he had been elected. Making their way up Mount Morrone, they came across a holy man in wornout garments, eyes “swollen from weeping”, with an unkempt beard and confused gaze.

Pietro del Morrone, later Celestine V, reportedly knelt down at the cardinals’ feet. Pietro only accepted the papacy to break the stalemate of an electoral conclave that had gone on for more than two years. But he might have been better keeping to his cave in the mountains. Years of the hermit’s life hardly represent the ideal preparation for occupying the seat of Peter.

Very quickly, and after having committed a series of errors in office, Celestine realised the mistake he had made and resigned. The problem was that his...


Monday, March 5, 2012 - 17:23

SOURCE: NYT (3-4-12)

LATE one November evening in 1927, the cars trying to get into the Holland Tunnel were pressed up against the eastbound entrance — a vehicular scrum, moving nowhere — when their drivers began to communicate in what has since become the customary language of that dense, acrid patch of Jersey City. They began to honk their horns.

What moved them to honk then, though, was not what moves drivers to honk now. It wasn’t the other side of the tunnel they were impatient to reach, but the inside of the tunnel itself. A miraculous thing was about to happen — the opening of a road beneath the Hudson River — and their honking was a chorus of excitement.

“It’s clear a lot of people absolutely hate the Holland Tunnel now, but at the time it opened they thought it was wonderful,” said Robert W. Jackson, author of a recently published history of it, “Highway Under the Hudson,” which recounts that evening in 1927. “...


Monday, March 5, 2012 - 17:22

SOURCE: WaPo (3-5-12)

“Eternal Life in Ancient Egypt,” Smithsonian Museum of Natural History

Ancient Egyptians tried to send their dead into the next world equipped with all the comforts of terrestrial existence. But they clearly left out one thing: moisturizer. Now on display at the Smithsonian Museum of Natural History, “Eternal Life in Ancient Egypt” examines the afterlife of the people who built the pyramids, both from a spiritual perspective (intricately ornamented masks, sarcophagi and jewelry) and a physical sense (ancient mummies). The artifacts are beautiful, but it’s hard to pay attention to trinkets, however exotic, when there’s an actual dead body in a glass case just a few feet away, even if it’s a very shriveled 2,000 years old.

The museum has four human mummies on display; before a renovation that was completed in November, there were just two. There are also some mummified animals, including a bull, an animal sacred to the Egyptians’ temple priests...


Monday, March 5, 2012 - 16:02