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Roundup: Pop Culture & the Arts ...
Movies, Documentaries and Museum Exhibits


This page features links to reviews of movies, documentaries and exhibits with a historical theme. Listings are in reverse chronological order. Descriptions are taken directly from the linked publication. If you have articles you think should be listed on the Pop Culture page, please send them to the editor editor@historynewsnetwork.org.

SOURCE: Lee P Ruddin (5-30-10)

Exhibitions are dependent upon the loans available to galleries at the time. And Tate Liverpool is no different. Yet one omission from its summer blockbuster, Picasso: Peace and Freedom, renders what was a hugely anticipated show a huge anticlimax.

This is not to say that the exhibition does not bring together important paintings and sculptures or a large number of posters and documents, though. Indeed without the generosity and support of a large number of lenders – including those from Lichtenstein and Czech Republic as well as those in London and Cologne – an exhibition of the scale envisioned by co-curators Lynda Morris and Christoph Grunenberg would not have been possible. The Charnel House, the pièce de résistance of the Tate exhibition, is a case in point. Thanks to Ann Temkin of the Museum of Modern Art in New York, the iconic painting is returning to the UK for the first time in half a century.

It must be said, however, that the curators assume too...

Sunday, May 30, 2010 - 17:58

SOURCE: RealClearPolitics (5-17-10)

The new Ridley Scott film"Robin Hood", which has opened to mixed reviews on its merits as entertainment, is also drawing some critics' political ire. In New York's leftist weekly, The Village Voice, Karina Longworth laments that"instead of robbing from the rich to give to the poor, this Robin Hood preaches about 'liberty' and the rights of the individual" and battles against"government greed"; the film, she scoffs, is"a rousing love letter to the tea party movement." On a similar note, the New York Times' A.O. Scott mocks"Robin Hood" as"one big medieval tea party":

"You may have heard that Robin Hood stole from the rich and gave to the poor, but that was just liberal media propaganda. This Robin is ... a manly libertarian rebel striking out against high taxes and a big government scheme to trample the ancient liberties of property owners and provincial nobles."

Whatever one may think of Scott's newest incarnation of the Robin Hood legend, it is...


Friday, May 28, 2010 - 11:23

SOURCE: NYT (5-28-10)

Arne Glimcher’s discursive documentary, “Picasso and Braque Go to the Movies,” argues that films, from the earliest days of Thomas Edison and the Lumière Brothers, were a crucial formative influence on Modern painting, especially Cubism.

Using prolific visual comparisons, it tries to show how Cubism, founded by Picasso and Braque in 1907, supposedly translated the movies’ revolutionary portrayal of time, space and motion into fine art. Photography had already captured moments that might have eluded the eye. The movies enabled visual artists to freeze blocks of time and analyze them at varying speeds. In consciously anatomizing motion and adopting multiple perspectives, the documentary implies, the Cubists may even have been trying to co-opt the brash new art form.

“Picasso and Braque Go to the Movies” is filled with celebrated talking heads, including Martin Scorsese, who produced the film with Mr. Glimcher and Robert Greenhut; artists like Julian Schnabel,...

Friday, May 28, 2010 - 11:12

SOURCE: Lee P Ruddin (5-24-10)

When Robert Harris’s book, The Ghost, was published in 2007 it startled many members of the British intelligentsia, not least because New Labourite Harris appeared to have turned on his Leftist comrades.

In it a biographer is hired to ghostwrite the memoirs of a former Prime Minister, Adam Lang, who soon becomes indicted for war crimes thanks to a resentful ex-colleague he fired as Foreign Secretary. In the nature of the war, the alleged crimes, Lang’s ancestry, personality, ideology, wife, and slavish subservience to an incompetent American president – not to mention the fact that he is “writing” his memoirs for an equally vast sum – the similarities with Blair are hardly camouflaged.

It is sheer coincidence, however, that the director of The Ghost Writer, Roman Polanski, is a figure beleaguered and trapped as much as Harris’s Lang is: held under quasi house arrest and unable to leave the country for fear of being arrested by the authorities.

...

Tuesday, May 25, 2010 - 04:12

SOURCE: NYT (5-24-10)

...All summer “To Kill a Mockingbird” will be relived through at least 50 events around the country, in honor of the 50th anniversary of the publication of a book that became a cultural touchstone and an enduring staple of high-school reading programs.

Its publisher, HarperCollins, is trying to tap into what appears to be a near-endless reserve of affection for the book by helping to organize parties, movie screenings, readings and scholarly discussions. The publisher has recruited Tom Brokaw and other authors to take part by reading from the novel — which tells the story of the small-town lawyer Atticus Finch, who defends a black man accused of rape, and his family — in their hometowns.

Of course, there is also the hope that the events, which are scheduled to run through Sept. 22, will drum up more sales of the book. HarperCollins plans to issue four new editions of the novel next month, each with a different cover and all to be placed on special “Mockingbird...

Monday, May 24, 2010 - 18:40

SOURCE: WaPo (5-24-10)

The velvet opera coat was stretched out on a bed of archival paper and tucked into a person-size box that resembled a humble coffin. A clutch of Smithsonian curators and restoration experts gently lifted it -- like scholarly pallbearers with white gloved hands and keen eyes for precision -- onto an examination table for loving inspection.

The coat, estimated to be from the early 1900s and possibly more than 100 years old, was exquisitely crafted of sapphire blue velvet with what looked to be soutache embroidery in a swirling pattern of fern leaves. The decoration had long ago faded into a delicate shade of pale brown, but its original extravagance remained evident. The trumpet-shaped sleeves are trimmed in fur, the origin of which remains unknown until experts from the Museum of Natural History have spoken. It's easy to imagine a pampered and cultured lady wrapped in this coat for an evening of high art.

The garment was designed and created by its onetime owner...

Monday, May 24, 2010 - 16:54

SOURCE: NYT (5-24-10)

The obsessive urge to get airborne unites the singing dreamers in “Take Flight,” an ambitious concept musical about the pioneering spirits of American aviation making its United States premiere at the McCarter Theater Center here.

On a windy Southern beach Orville and Wilbur Wright pore over physics statistics to a disjointed melody, their progress confounded by problems of equilibrium. Anxious to be the first to cross the Atlantic, Charles Lindbergh fights off an array of competitors who trade vaudevillian turns. Amelia Earhart sings ardently of emotional rebirth as she defies convention in her bid to become the first woman to defy gravity, Lindy style.

The separate but sympathetic quests of these famous figures have been stitched together to create a musical collage of dream chasing by three notable theater talents: the composer David Shire, the lyricist Richard Maltby Jr. and the book writer John Weidman, who collectively have logged plenty of hours...

Monday, May 24, 2010 - 16:19

SOURCE: NYT (5-23-10)

When the photographer Philippe Halsman said, “Jump,” no one asked how high. People simply pushed off or leapt up to the extent that physical ability and personal decorum allowed. In that airborne instant Mr. Halsman clicked the shutter. He called his method jumpology....

The idea of having people jump for the camera can seem like a gimmick, but it is telling that jumpology shares a few syllables with psychology. As Halsman, who died in 1979, said, “When you ask a person to jump, his attention is mostly directed toward the act of jumping, and the mask falls, so that the real person appears.”...

One of the purest examples of this joy is an image of Halsman himself, holding hands with a smiling Marilyn Monroe several feet off the ground. Facing his partner, he seems ecstatic, as if he cannot believe his luck. He will hang with one of the world’s most photogenic beauties for eternity. The two are caught in nearly matching, tucked-knees positions. Only a few other...

Monday, May 24, 2010 - 16:15

SOURCE: NYT (5-23-10)

You could listen to a lot of dry lectures by a lot of windy history professors and still not learn as much about race issues in the century after the Civil War as you do in “A Place Out of Time: The Bordentown School.”

This hourlong film by Dave Davidson, Monday on PBS, seems on the surface to be a simple documentary: the history of an all-black school in Bordentown, N.J., that existed from 1886 to 1955. But by the time the story is told, you have come to see the school as a microcosm of all the good intentions, misguided theories and veiled prejudice that have made equality so elusive for so long....

Sounds like a laudable idea: establish a residential school where black educators could find employment and black youths could learn in a safe environment, free of the harassment by white students and teachers they might encounter at an integrated school. And Bordentown established itself as a model institution that emphasized discipline and personal...

Monday, May 24, 2010 - 16:13

SOURCE: Reuters (5-15-10)

Oscar winner Jennifer Hudson is to star in a biopic of former South African President Nelson Mandela's ex-wife Winnie, whose lawyers have already contacted the film makers threatening to block it.

"Winnie," which also features Terrence Howard as Nelson Mandela and is based on a book by Anne Marie du Preez Bezdrob, starts shooting in South Africa on May 31 and could be ready for theatres by spring next year.

Producer Andre Pieterse said Winnie Madikizela-Mandela had asked to see and approve the script before the picture went ahead, but that its backers had refused....

Monday, May 24, 2010 - 16:03

SOURCE: NYT (5-21-10)

The German actor Ulrich Tukur brings an understated intensity and psychological depth to the title role of “John Rabe,” a sweeping historical film that exalts a largely unsung real-life hero who risked his life to do the right thing. Rabe, a Nazi German industrialist stationed in China, is credited with saving the lives of more than 200,000 Chinese during the infamous 1937 massacre in Nanking (now Nanjing) in the second Sino-Japanese war. In a matter of weeks, the Japanese slaughtered at least 200,000 civilians and prisoners of war and committed mass rape.

The German director Florian Gallenberger has made Rabe the central figure in an old-fashioned historical epic that covers much of the same territory as the 2007 documentary “Nanking,” in which Rabe (pronounced RAH-bay) is mentioned. Because its hero was a “good Nazi” who courageously acted on his humanitarian impulses, “John Rabe” has a lot in common with “Schindler’s List.” But despite its gruesome scenes of hundreds...

Monday, May 24, 2010 - 16:03

SOURCE: Salon.com (5-12-10)

Ridley Scott's "Robin Hood," starring Russell Crowe as a common archer turned proto-revolutionary and national warrior, will bring no merriness to the month of May. Given Crowe's surly persona, the film affords no capering in the greenwood in the manner of Douglas Fairbanks, no cocky Saxon tricksterism in the vein of Errol Flynn, and mercifully no SoCal modernity in the style of Kevin Costner. In their desire to break with the traditional aura of the English outlaw, Scott, Crowe and writer Brian Helgeland have created a moody war movie redolent of their 2000 Oscar success "Gladiator," that offers a lesson in medieval realpolitik.

The majority of "Robin Hood" movies are much softer than Scott's because violent realism wasn't an existing style at the time they were made. The likes of "Prince of Thieves" (1948), "The Men of Sherwood Forest" (1954), and "Sword of Sherwood Forest" (1960) were hidebound by the merry...

Wednesday, May 12, 2010 - 14:45

SOURCE: Spiegel Online (5-6-10)

Who exactly were the men who planned and administered the Nazi crimes? The new "Topography of Terror" documentation center opened on Thursday in Berlin at the site of the former Gestapo and SS headquarters. It reveals the faces of the almost unknown perpetrators of the Holocaust.

The index cards cover an entire wall, several hundred of them in pink, beige or green, containing names, dates of birth and handwritten notes. They are the details of some of the 7,000 former employees of the Reichssicherheitshauptamt, the amalgamation of the feared SS paramilitary group and Gestapo secret police force -- the men who worked at the very epicenter of the Nazi terror regime.

Sixteen of these thousands of cards that were collected by investigators in Berlin in 1963 jut out from the wall, representing the only former employees of this terror headquarters who ever faced prosecution. And three of these cards are raised further -- showing the trio who were eventually...

Tuesday, May 11, 2010 - 17:24

SOURCE: Pajamas Media (5-8-10)

This week’s season premiere episode of the PBS drama series Masterpiece Mystery brought two very happy things. One, the return of the series Foyle’s War for a seventh season is quite welcome. Starring Michael Kitchen as Inspector Christopher Foyle, the chief police detective in a coastal English town during and after World War II, the series includes good mystery puzzles while taking quite seriously the moral implications of all of its characters’ actions.

The second good thing was the nature of the season premiere episode. “The Russian House” dealt with a very serious moral and political issue and foregrounded an atrocity committed by the Soviet Union with British complicity at the end of World War II. The brutal nature of the Soviet Communist regime is quite apparent in the episode. (The show can be found in repeats on local stations and will be viewable on the PBS Masterpiece website.)...

“The Russian House” starts out with a bang: rather than be sent home...

Tuesday, May 11, 2010 - 12:37

SOURCE: Reuters (5-7-10)

Hawaii's 19th-century colonization by the U.S. forms the intriguing backdrop for "Princess Kaiulani," a stirring romantic drama centering on the last royal heir to the native line of traditional monarchs.

Film

Retitled since screening as "Barbarian Princess" last year at the Hawaii International Film Festival, where it won the audience award, this independent film is attractively cast and produced with a distinct specialty luster. It's likely to appeal particularly in West Coast and island markets as well as to art-house patrons who appreciate period romance. The Roadside Attractions release opens May 14.

By the late 1880s, the independent kingdom of Hawaii, undermined by the influence of large American sugar companies, is struggling to maintain control of the islands' political and economic fate. Childless King Kalakaua (Ocean Kaowili), whose mixed-race niece, Princess Kaiulani ("The New World's" Q'orianka Kilcher), is...

Saturday, May 8, 2010 - 21:41

SOURCE: NYT (5-5-10)

EARLY in the first installment of “America: The Story of Us,” the 12-hour documentary series on the History cable channel that began on April 25 and covers 400 years of United States history, an actor depicting a British soldier bumps into another depicting Paul Revere, and the narrator Liev Schreiber says, “When revolution comes to North America, Revere will be at the center of it.”

Viewers might be momentarily confused when the screen goes dark, signaling a commercial break, only to light up again with men dressed in colonial garb on the cobblestone streets of Boston. The scene cuts to a bow-tied historian named K. C. Johnson, who tells an interviewer, “American colonies before the revolution existed for the economic good of the mother country,” and then to another historian, Steve Gillon, who adds, “The British used money as a way of keeping the Americans down.” Then, to a triumphant flourish of music, the Bank of America logo appears, along with the screen text, “...

Thursday, May 6, 2010 - 09:27

SOURCE: Reuters (5-4-10)

As part of a slate of new shows, the "X-Men" creator will co-host "Stan Lee's Superhumans," which will find people whose genetic differences have given them remarkable abilities. Daniel Browning Smith, dubbed the world's most flexible man, will host the series with Lee.

"Superhumans" will debut on the network during the third quarter and is joined by five other series and a slew of specials being greenlighted in time for the network's "upfront" presentation to advertisers this week.

History's previously announced miniseries "The Kennedys" and its U.S. version of "Top Gear" are expected to be the headliners of the network's presentation, but the network also has a trio of new reality shows from prolific "Ice Road Truckers" producer Thom Beers....

Wednesday, May 5, 2010 - 10:16

SOURCE: Globe and Mail (4-30-10)

[Naomi Wolf’s most recent book is Give Me Liberty: A Handbook for American Revolutionaries.]

Barack Obama, however mixed his accomplishments to date as U.S. President, has sought to rebrand America and reclaim its former signature asset: its ability to embody universally admired values. As popular culture is usually the way those values are transmitted, it is worth considering what it is about American cinema, music and popular literature that makes them so compelling to many other parts of the world.

After all, much of what America once monopolized in Hollywood movies and other pop-culture exports is now being reproduced locally. Bollywood competes with California in terms of glamorous stars and big production numbers; Japan and South Korea mint their own pop singers and fashion trends.

But consider Entourage, the American TV show that centres on a rising male film star and his posse of dudes. Or a recent article in The New Yorker about two scruffy...

Tuesday, May 4, 2010 - 15:55

SOURCE: NPR.org (5-3-10)

Monday night at Lincoln Center in New York City, early-music expert Jordi Savall is taking his audience back to ancient Jerusalem.

But this project is different from the work that has earned Savall acclaim for resurrecting forgotten music from the Renaissance and Baroque eras.

The Jerusalem project spans six centuries — right up to the present day — and the clash of cultures and religions that has torn the city apart.

Savall says he doesn't believe in formal religion, but that there's something about Jerusalem — endlessly destroyed and rebuilt in a quest for sacred power — that calls forth the spiritual. Even in its topography, in the rise of its stony hills.

"Jerusalem is a city that makes you feel you are very close to the heavens because the clouds, they are very close," Savall says. "The city is in a high space, and you feel in a very different situation than anywhere else in the world."

Savall has...

Tuesday, May 4, 2010 - 13:48

SOURCE: openDemocracy (4-23-10)

[Anthony Barnett is the founder of openDemocracy.net and the editor of its UK section, Our Kingdom.]

After 1945, for a long post-war generation through to the 80s, the sculptor, Henry Moore, who was born 1898 and died in 1986, was Britain’s most famous artist. Massive versions of his works were acquired around the world so that you could say that ‘the sun never set on Henry Moores’. He was referred to as “The Greatest Living Englishman”. His sponsor, the influential art patron and TV presenter Kenneth Clark, even suggested that so exemplary was his character that were we to send a member of the human species to another planet to show them what we could do at our best, it would have to be Henry.

The son of a miner, he became immensely wealthy, and because he refused to move, paid tax at well over the top 90 percent rate and reflected that he was probably the highest earning tax-payer in the country. He created, and his legacy has funded, a foundation that went...

Monday, May 3, 2010 - 15:51