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History News Network

Roundup: Pop Culture & the Arts ...
Movies, Documentaries and Museum Exhibits


This page features links to reviews of movies, documentaries and exhibits with a historical theme. Listings are in reverse chronological order. Descriptions are taken directly from the linked publication. If you have articles you think should be listed on the Pop Culture page, please send them to the editor editor@historynewsnetwork.org.

SOURCE: NYT (11-30-06)

Courtesy of the Italian government, visitors to the Museum of Fine Arts, Boston, and to the Metropolitan Museum of Art in New York will find an unfamiliar antiquity on view today in each institution’s classical galleries.

The artifacts are the first fruits of separate agreements that Italy reached this year with those museums to return antiquities that Italian officials have long contended were looted or removed illegally from their country. In exchange for the return of the objects — which will include the Euphronios krater, a 2,500-year-old Greek bowl considered one of the world’s finest, from the Met’s collection — Italy agreed to offer extended loans of other antiquities that have rarely or never been seen outside Italy.

The arrival of the artifacts at their temporary homes was timed to coincide with a visit to the United States by Italy’s culture minister, Francesco Rutelli, who has taken a high-profile role in his country’s campaign for the return of...

Thursday, November 30, 2006 - 21:37

SOURCE: NYT (11-30-06)

A beloved Norman Rockwell painting that was discovered behind a false wall in a Vermont home last spring sold yesterday at Sotheby’s for $15.4 million, a record price for the artist at auction.

The image, “Breaking Home Ties,” reproduced on the cover of The Saturday Evening Post on Sept. 25, 1954, was voted the second-most popular cover in the magazine’s history. (No. 1 was “Saying Grace,” the Nov. 24, 1951 cover, also by Rockwell.)

The previous auction record for a Rockwell was $9.2 million at Sotheby’s in May for “Homecoming Marine.”

Thursday, November 30, 2006 - 14:39

SOURCE: Mark Yost in the WSJ (11-29-06)

KANSAS CITY, Mo.--It would have been easy for the new National World War I Museum, which opens here this week, to focus primarily on America's relatively minor role in the first "war to end all wars." Gen. John J. "Black Jack" Pershing, leader of the American Expeditionary Force, and a World War I artillery captain named Harry Truman were both native Missourians. Dwight Eisenhower, raised in neighboring Kansas, also fought in the Great War, as did a cavalryman-turned-tanker named George Patton, who had attended the Mounted School at Fort Riley, Kan.

Much to its credit, the museum chose historical accuracy over this myopic focus. The result is a compelling and comprehensive presentation that leaves visitors with a clear understanding of the forces that led to the war, the barbarism of the world's first mechanized industrial warfare, and the unresolved disputes that sowed the seeds for future conflicts, including some that are in the headlines today....

Wednesday, November 29, 2006 - 21:56

SOURCE: Reuters (11-27-06)

"The Nativity Story", a Hollywood movie of the story of Mary and Joseph before the birth of Jesus, had its world premiere at the Vatican on Sunday and won strong praise from the man known as the"deputy pope". The audience of some 8,000 people who attended a benefit gala premiere in the Vatican's vast Paul VI Hall broke into applause five times during the screening and again at the end. It was the first feature film to premiere at the Vatican.

"It is well done," said Cardinal Tarcisio Bertone, the Vatican's Secretary of State, who ranks second only to Pope Benedict in the Vatican hierarchy.

"It re-proposes this event which changed history with realism but also with a sense of great respect of the mystery of the nativity," he told reporters afterwards."It is a good cinematic event ... the judgment is positive."

The film stars 16-year-old Keisha Castle-Hughes as the Virgin Mary. Castle-Hughes, an Academy Award nominee who rose to cinema fame in"Whale Rider", is a New Zealander...


Tuesday, November 28, 2006 - 20:53

SOURCE: Stone Pages (11-27-06)

The oldest representation of the cosmos – the sky disc of Nebra – has gone on show in Basel's history museum. Basel (Swiss) has a special place in the disc's history. It was here that police seized the disc after it was stolen from its place of origin in Germany. The disc, which forms the centrepiece of an exhibition devoted to Bronze Age objects, has been hailed as one of the most important archaeological discoveries of recent times. Made out of bronze with gold embossing, the 3,600-year-old object is an astronomical clock. It connects the sun and the moon calendars together, with the sun giving the day and year and the moon, the month. The moon year is, however, 11 days shorter than the sun year. This was taken into account in ancient times by adding an extra month, leading experts to believe that people in the Bronze Age were already making sophisticated astronomical observations similar to those written about by the Babylonians around 1,000 years later.

Tuesday, November 28, 2006 - 20:49

SOURCE: AP (11-27-06)

Dorothy's ruby red slippers are now temporarily nestled near NASA's rockets and Charles Lindbergh's plane in a new Smithsonian exhibit that has the blessing of two original munchkins from "The Wizard of Oz."

More than 150 well-known objects from the National Museum of American History collection are on public display in the "Treasures of American History" exhibit across the National Mall at the National Air and Space Museum.

Leaders of the popular history museum, which closed in September for a major renovation and will reopen in summer 2008, wanted to keep at least part of the massive 3 million piece collection on view.

Ruth Duccini and Jerry Maren, two of the munchkins from "The Wizard of Oz," helped open the new exhibit last week.

Tuesday, November 28, 2006 - 19:33

SOURCE: International Herald Tribune (11-27-06)

The cars, the girls, the martinis, the exotic locales, the eye-popping gadgets - for a generation of fans, James Bond embodied the quintessence of British savoir-faire: the civil servant with a license to kill, the secret agent who saved civilization from a series of nefarious villains while staying in the world's fanciest hotels and romancing a bevy of beauteous babes.

In the entertaining and very funny new book "The Man Who Saved Britain," Simon Winder - publishing director at Penguin - gives us a rollicking tour through Bondland, even as he artfully deconstructs the appeal of Agent 007. His central argument is that Bond arrived to uphold the British ego at the very moment when Britain's planet-spanning empire was breaking up and the once-great power was trying to come to terms with its diminished post-World War II role.

While Britain was coping in the 1950s and '60s with unemployment, inflation, strikes, and demoralization, and making the humbling...

Tuesday, November 28, 2006 - 19:14

SOURCE: NYT (11-28-06)

The world turns quickly in Lincoln Center Theater’s exhilarating production of Tom Stoppard’s “Voyage,” the first installment of his “Coast of Utopia” trilogy about Russian intellectuals in the 19th century dreaming of revolution.

It isn’t simply the industriously employed revolving stage of the Vivian Beaumont Theater, where the play opened last night, that gives the heady sense of an entire culture about to spin off its axis. As directed by Jack O’Brien and performed with freshness and vigor by an immense and starry cast led by Ethan Hawke and Billy Crudup, “Voyage” pulses with the dizzying, spring-green arrogance and anxiety of a new generation moving as fast as it can as it tries to forge a future that erases the past.

The play may have been written by a man in his 60s, and its principal performers are at least into their 30s, yet even more than in its London incarnation at the National Theater, where I saw it four years ago, “Voyage” is paced and defined...

Tuesday, November 28, 2006 - 19:05

SOURCE: NYT (11-27-06)

BERLIN, Nov. 23 — It may be a decade or more before this city’s monumental Museum Island finally shakes off the twin legacies of World War II and East Germany’s Communist regime, but with the reopening of the Bode Museum, this cultural park in the former East Berlin has taken another step toward recovering its place as one of the world’s great centers of art.

With the restoration of the Alte Nationalgalerie, or Old National Gallery, in 2001, two of the island’s five museums are now in fine shape. After an eight-year, $209 million refurbishment, the Bode probably has never looked better since its inauguration as the Kaiser Friedrich Museum in 1904.

Occupying a triangular plot overlooking the Spree River on the northern edge of the island, the museum is once again a true palace of art, welcoming visitors into its vast neo-Baroque entrance hall with an equestrian statue and leading them through naturally lighted galleries with marble floors and wood-paneled...

Tuesday, November 28, 2006 - 14:54

SOURCE: Nation (10-30-06)

"If that's art, I'm a Hottentot," declared President Harry S. Truman in 1947. The objects of his displeasure were a group of paintings about which Look magazine ran a spread under the watchdog headline "Your Money Bought These Pictures." The State Department had purchased the paintings for an exhibition that would travel overseas to proclaim by example that artistic creativity flourished best in America, under American capitalism. The paintings on trial--such as Yasuo Kuniyoshi's politely Expressionist Circus Girl--were hardly radical, even for the time. Cubism was four decades old and weirder-by-far Abstract Expressionism had already reared its drippy head in New York. But back then, as now, it didn't take much to rouse yahoo ire, even in the White House. The show was canceled. Nine years later, new paintings on Nebraska's statehouse walls by a veteran muralist who'd gone belatedly Modernist prompted a member of the public to say, "I feel that the mural in...

Monday, November 27, 2006 - 14:06

SOURCE: WaPo (11-27-06)

"Joan of Arc" at the Corcoran Gallery of Art, though not much of an art show, is a powerful and learned study in renown.

The little Latin books, medieval swords, dinner bells and film stills crowded in its cases aren't what mainly matter. What matters is the girlish, great, utterly improbable person they call forth, and the forces she deploys on her long, triumphant march into your mind.

Joan of Arc (1412-1431), dead while in her teens, didn't have much time. She made the most of what she had. That illiterate, sincere, cross-dressing young woman -- who talked to saints and angels, led an army into battle and helped liberate her land -- got as close to immortality as humans ever get.

Monday, November 27, 2006 - 13:34

SOURCE: Times Online (UK) (11-27-06)

Ian McEwan, one of the most revered authors of his generation, has hit back at accusations that he copied another writer’s work — the second time the novelist has had to face such claims.

Sections of the novel Atonement, which is being turned into a film starring Keira Knightley, are said to be similar to parts of a wartime memoir by Lucilla Andrews, a bestselling author of romantic fiction. Ms Andrews is mentioned briefly in the acknowledgements of Atonement, and McEwan says that he has paid tribute to her in interviews and public appearances.

But for some of those closest to Ms Andrews, who died last month aged 86, it is not enough. In particular her agent has attacked McEwan’s “disappointing” failure to reveal the scale of his debt to her client.

Monday, November 27, 2006 - 13:28

SOURCE: Boston Globe (11-18-06)

Desperate Crossing: The Untold Story of the Mayflower. Tomorrow at 8 p.m. on the History Channel. Grade: B

Thanksgiving is often marked by cute school plays that celebrate the relationship between the Pilgrims and American Indians. The History Channel’s new special “Desperate Crossing: The Untold Story of the Mayflower” (tomorrow at 8 p.m.) goes beneath the veneer of the familiar story taught in elementary school.

Told through believable and meticulous re-enactments and interviews with historians, this is a story of struggle for religious freedom, unbearable hardship, heartbreaking losses and utter determination to start a new life in a new country. While the title of the documentary is certainly a play on the show that takes place on Wisteria Lane, this three-hour special defines desperate.

Unwilling to abide by the edicts of the Church of England, a devout group known as Pilgrims flee to the Netherlands in 1607. By 1620, they decide...

Sunday, November 26, 2006 - 20:01

SOURCE: NYT (11-26-06)

OUTSIDE, along broiling Main Street in Bridgehampton, N.Y., the summer traffic flow was controlled by Land Rovers and large dogs on leashes. Inside there was no traffic flow: the film director Brett Morgen and the actor Roy Scheider were jammed into a Buick-size sound booth, fashioning a vocal performance to accompany the animated sequences of Mr. Morgen’s new film.


Mr. Morgan — to whom the words mad scientist have occasionally been applied — seemed to be channeling strange voices, from a strange place and time.

“ ‘Will you please identify yourself for the record?’ ” he recited from a court transcript. “ ‘Of course I will, Len, my name is Abbie and I’m an orphan of America.’ ‘Your honor, will the record show that it is the defendant Hoffman who has taken the stand.’ ”

Picking up his cue, contempt dripping from his voice, Mr. Scheider said: “Well, it is rather important in this case. There’s a Hoffman up here, and one down there. I certainly...

Sunday, November 26, 2006 - 14:42

SOURCE: NYT (11-26-06)

Fifteen years ago, Arthur Nash made one of his first purchases of gangland memorabilia when a dealer in rare photographs showed him what he said was the first published picture of the gangster Arnold Rothstein. Before long, Mr. Nash, who was 19 at the time, was searching for photographs of other notorious figures, like Al Capone, Machine Gun Jack McGurn and Abe Reles.

Mr. Nash’s interest in gangland lore broadened, and he eventually assembled a collection of 1,500 items documenting the lives and often brutal times of people involved in organized crime.

Some of the items are linked to murders: for example, a barber chair from the old Park Sheraton Hotel in which the mob boss Albert Anastasia was sitting when he was killed in 1957.

Mr. Nash also owns a fedora that belonged to the man thought by many to have shot Anastasia: Joey Gallo. He was wearing the hat on the night in 1972 that he was fatally shot inside Umberto’s Clam Bar on Mulberry Street....

Sunday, November 26, 2006 - 13:54

SOURCE: Edward Rothstein in the NYT (11-25-06)

It is somewhat eerie when everything about a place declares that it is a center, but there is nothing for it to be the center of. We sense this in the cavernously grand railway terminals of once-thriving cities, in the government buildings of once-great empires, and, on a modest scale, in the newly renovated Federal Hall National Memorial, which this week became home to the new Federal Hall Visitor Center.

The place itself — at 26 Wall Street, opposite the New York Stock Exchange in Lower Manhattan — still has the aura of historical centrality. George Washington was inaugurated above these steps’ ancestors; Congress met at this location before moving to Philadelphia; City Hall was once here. And after its opening in 1842, the current Greek Revival building was the New York Customs House — which at the time made it central to the nation’s economy.

But by 1955, when the hall was taken over by the National Park Service, it had become a handsome antique, a memorial...

Sunday, November 26, 2006 - 00:35

SOURCE: New York Sun (11-17-06)

President Bush won only 24% of the vote in New York City in 2004. Abraham Lincoln did not do much better. In 1860, the president many of us regard as America's greatest won less than 35% of the city's vote. In 1864, he won even less — about 33%. Why most New Yorkers did not care for Lincoln is a question that will be answered to most visitors' satisfaction in "New York Divided: Slavery and the Civil War," a well-designed, richly informative exhibition opening today at the New-York Historical Society.

"New York Divided" follows last year's "Slavery in New York."That exhibition told the story of the slavery that remained legal in New York State until 1827. The current exhibition takes us on a journey from the 1830s to the immediate post–Civil War period. Although slavery had been abolished in New York, the city's economy was as dependent upon slavery as ever. New York City had such close ties to the Southern plantation economy that as Southern...

Tuesday, November 21, 2006 - 23:01

SOURCE: NYT (11-21-06)

“Private Snafu vs. Malaria Mike” was among the animated films presented on Oct. 25 and 26 at the Cartoon Medicine Show at the National Academy of Sciences in Washington.

The show featured animated public health films from the 1920s to the ’60s — some well known, others rarely screened in the last 40 or 50 years — from the collection of the National Library of Medicine. The films cover such topics as personal hygiene, malaria prevention, cancer detection, tuberculosis screening and the safe use of X-rays.

The National Library of Medicine is also creating a series of DVDs of historical medical films, the first of which is likely to be released next fall.

“From early on, animated films were viewed as a uniquely convincing way to persuade and educate people,” said Michael Sappol, a historian at the library. Animation could get a message across while also entertaining an audience.

A film like “Private Snafu vs. Malaria Mike,” he said, “takes...

Tuesday, November 21, 2006 - 20:14

SOURCE: Stephen Holden in the NYT (11-21-06)

The current of intellectual energy snapping through “The History Boys,” the ferociously engaging screen adaptation of Alan Bennett’s Tony Award-winning play, set in a boys’ school in northern England in 1983, feels like electrical brain stimulation. As two teachers jockey for the hearts and minds of eight teenage schoolboys preparing to apply to Oxford and Cambridge, their epigrams send up small jolts of pleasure and excitement. How to teach and interpret history is the question.

One view is represented by Irwin (Stephen Campbell Moore), a hotshot young tutor and symbol of Thatcher-era go-getter mentality, hired by the school to scrape away the rust of received opinion from the students’ thinking so that their answers to test questions will have more “edge.” On the other side is Hector (Richard Griffiths), the poetry-spouting, eccentric teacher of general studies. An obese, 50-something school fixture (imagine a squishier, teary-eyed Charles Laughton or Peter Ustinov),...

Tuesday, November 21, 2006 - 20:01

SOURCE: http://www.signonsandiego.com (11-17-06)

RAMONA – Andrea Martinez and Brenden Farley are only 8 years old, but they know the meaning of abolition and are learning about the Emancipation Proclamation thanks to a traveling history exhibit that opened at their school this week.

The exhibit was sent to Ramona Elementary from the New York-based Gilder Lehrman Institute of American History. The 50-foot traveling panel exhibit traces the history of the movement to abolish slavery from the framing of the Constitution to abolition during the Civil War.

The exhibit is divided into five panels, each featuring graphic reproductions of documents, images and text of a particular period or topic. The display, titled “Free at Last: A History of the Abolition of Slavery,” features the Founding Era, Slave Resistance, Abolitionism, Lincoln and the Emancipation and African-Americans in the Civil War.

Teacher Adriana Soltero and her third-grade class viewed the exhibit yesterday afternoon after spending days...

Tuesday, November 21, 2006 - 19:19