Footage of Death Plays On in Memorytags: JFK, JFK assassination, Kennedys, Zapruder film
Before Nov. 22, 1963, Abraham Zapruder was an ordinary citizen of Dallas: a 58-year-old prosperous manufacturer of women’s clothing who had arrived in the city from Russia by way of Brooklyn. If that day had unfolded differently, that is most likely what he would have remained. But like a small but growing number of Americans at the time, he was also a home-movie hobbyist. With his receptionist, Marilyn Sitzman, as location scout and technical support, Zapruder took his 414PD Director Series Bell and Howell 8-millimeter camera to a spot on Elm Street, not far from his office, hoping to film the presidential motorcade as it drove past.
The 26.6 seconds of footage he captured — 486 frames, without sound — inscribed Zapruder’s name in the official history and popular folklore of the John F. Kennedy assassination. Its images, blurry yet vivid, in color when almost all television and a great many movies were still in black and white, form part of what we know or think we know about what happened at Dealey Plaza. On the Web, you can find seemingly infinite versions: in slow motion, with musical accompaniment, with or without Kevin Costner’s explanation and Oliver Stone’s enhancements in “JFK.” And you can encounter an equal number of arguments about what those silent, shaky frames mean: that Oswald acted alone; that other shooters were present; that a conspiracy came to fruition in plain sight; that the truth will never be known....
comments powered by Disqus
- David Rosand, an Art History Scholar Whose Heart Was in Venice, Dies at 75
- NYT interviews Rick Perlstein about his book
- OAH issues a statement in support of the AP standards
- Daniel Pipes says in interview that the absence of anti-Israel protests in Muslim countries is highly significant
- A historian who studies China has discovered an overlooked angle in the debate about the Middle East. Could he have figured out a key reason for Iraq’s failure to defeat ISIS?